The Power of the 'Reservation Dogs'
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.

This 2008 documentary traces the journey of mountaineer Iñaki Ochoa de Olza Seguin. Rather than recounting his death, the film focuses on his life, drawing on a wide range of archival materials: recordings of lectures made by his father, photos sent by friends, period footage, and 8mm home movies. Iñaki’s voice—culled from these materials—challenges our complacency and speaks of his connection to Navarre, his family, and the mountains. Through this relationship with the mountains, the film explores joy, pain, the contrast between a life lived intensely and a conventional, comfortable existence, as well as happiness and death. This tribute film premiered at the Baluarte Auditorium in Pamplona in 2008, during the ceremony awarding medals for sporting merit to Iñaki himself and to everyone who had taken part in his rescue.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.