Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

When her station wagon conks out by a secluded house in the woods, a woman peers from the window and watches a string of peculiar goings-on next door. Josh Safdie’s 11-minute short turns a simple breakdown into a quietly absurd, deadpan set-piece.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.