The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

After more than twenty years, Swiss musician Dino Brandão travels to Angola to give a concert in his father's home country. Confronted with his family's past and questions about his own identity, Dino is triggered into a manic episode.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Sweetheart provides a stark example of self-isolation taken to its extreme.
When a US Army veteran returns home traumatized, he begins another battle with addiction.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.