Redux Redux (2026) and the Violent Nature of Motherhood
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.

RIGHT PLACE, RIGHT TIME...WRONG NUMBER. A wrong number from a suicidal Irishman on a remote train platform leads to a trainee vicar saving his life...by mistake. 1 phone call, 2 locations, shot simultaneously in 1 take.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.