“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Following Clay and Bella through their complicated and passionate romantic endeavors, the film asks the question "How far will you go to ignore the faults in someone?"
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
How do zombie films shine new light in the post-Covid and post-Brexit era?
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.