Trauma Personified: 2018's "Citizen Rose"
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.

Two brothers, one woman in their lives. Their erotic passion brings them face to face. They compete fiercely through the IT companies they represent. Intrigues and murders strike mercilessly at both sides. The law of "an eye for an eye" prevails...
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
An animated short film that never gets old, especially with iconic characters from the Disney series.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.