I’m a Stan-ibbal For "Hannibal"
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.



I want to begin Women’s History Month by talking about the rise and fall of #girlboss. Since it’s 2014 popularization by Sophia Amoruso, the concept has gone from aspirational to problematic, paralleling the downfall of Amoruso’s “Nasty Gal” fempire due to allegations of discrimination and eventual bankruptcy.
The topic can be hard to breach, as detractors of the #girlboss want to do so without coming across as anti-feminist. But ultimately the #girlboss trope is a perversion of feminism, using girl power as a façade for gross capitalistic behaviors such as exploiting workers or fostering toxic work environments. But don’t just take my word for it, ask Marla Grayson.
Rosamund Pike’s Marla Grayson is a being driven by pure greed. She proudly proclaims herself a predator, and embodies the capitalist wolf in feminist sheep’s clothing. She’s got a sharp haircut, a chic wardrobe, and a capacity for BS that so high, that she seems to have even herself convinced that she really cares about the elderly. The film I Care A Lot, directed by J Blakeson, casts the villainous Marla in the position of protagonist, while the villains are those trying to free their elderly parents from her vampiric grip. In the beginning of the film, she boldly assures him she is not intimidated by his masculinity. It’s almost cool until you remember that she is squeezing his elderly mother for money, and letting her wither away in a care home.

A court-appointed legal guardian defrauds her older clients and traps them under her care. But her latest mark comes with some unexpected baggage.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
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