Oscar Nominated Shorts: Animation— Reviewed
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?

Korean birth dreams, known as tae-mong, traditionally prophesy the sex of an unborn child through gender-biased symbolism. Males are strong, often fierce animals, females delicate and small. Interpreting the work of artist Lee Jung-seob, filmmaker Chaerin Im confronts a patriarchal culture through a spirited tin-foil lithographic imagining of a powerful she-horse: a strong, fiercely independent warrior encompassing true feminine power and ability.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.