Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

I am poster

I am 

As the international press pours into Havana, Cuba to report on the death of Fidel Castro, a little girl proudly holds a large cardboard sign over her head on the Plaza de la Revolución. In a fascinating shot lasting almost 12 minutes, we watch this girl-braids, red dress, white knee socks, fighting against the wind-as she experiences her moment in the spotlight. We can't see what's written on the sign because she's being filmed from behind. Armed with cameras and cell phones, the people around her are taking countless photos and uninvited selfies with her. As the minutes tick by, our unease grows. Placed in the role of an ignorant spectator, we have time to contemplate the omnipresence of the camera-and we become desperate to know what's written on that sign.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


As the international press pours into Havana, Cuba to report on the death of Fidel Castro, a little girl proudly holds a large cardboard sign over her head on the Plaza de la Revolución. In a fascinating shot lasting almost 12 minutes, we watch this girl-braids, red dress, white knee socks, fighting against the wind-as she experiences her moment in the spotlight. We can't see what's written on the sign because she's being filmed from behind. Armed with cameras and cell phones, the people around her are taking countless photos and uninvited selfies with her. As the minutes tick by, our unease grows. Placed in the role of an ignorant spectator, we have time to contemplate the omnipresence of the camera-and we become desperate to know what's written on that sign.

Rating:
Genre:Documentary
Directed By:Cássio Kelm
Written By:
In Theaters:
Box Office:

Runtime:12 minutes
Studio:Escuela Internacional de Cine y Televisión (EICTV), Haver Filmes

Articles You May Like


Mississippi Masala: A Romance that Interrogates Racism from Within and Without

Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.

Andrea Kreidler

'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso

The Show Must Go On In "Don't Say Good Luck"

Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.

Sarah McAlister