


Hustlers (2019) was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them. I'd imagined an Oceans 11 vibe and plot. The film was disappointing, but even more than that — it was quite frankly a bit boring at parts. I’m saddened to admit it. Although the film is based on a true story, it would’ve been wise and skillful had the director and writers taken more artistic liberties to make a blockbuster-worthy story. Maybe my expectations were too high, a set-up for likely disappointment. Review originally posted in 2019. (Note: spoiler alerts ahead)




A crew of savvy former strip club employees band together to turn the tables on their Wall Street clients.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.