World War II: Allied Command learns that in 60 days three Japanese generals and an admiral party at a bordello on a tiny Philippine island. It's fortified and hard to attack, so a creative, cynical major gets the assignment to figure something else. With the help of Paco, a Filipino guerrilla leader, the major devises a plan to put four women assassins among the prostitutes. He must recruit and train them, convince his general that an unarmed woman can best a man, and get them on the island. The rest is up to them. An imprisoned killer, a nurse with a fatal disease, a chippie on the lamb from the mob, and a Filipina whom the Japanese assaulted are his team. Can they do it?
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
