“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Hurrycan has nothing to do with whirlwinds, although in this Nekes film the pictures journey across the screen, excitedly, spasmodically and flickering. The title weds the element of haste with the notion of a film can, which in this case turns out to be something of a Pandora's Box and contains expectations for a new way of seeing. A computerized shutter system that Nekes had built.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A socially conscious film that draws attention to the plight of American military veterans.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.