'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

In 2022, police officer Rubens Filho abandons his uniform and roams the gay ghettos of Porto Alegre while a serial killer, active in the 1990s, returns to attack, feeling legitimized by hate speech that returns to the public sphere. As the number of victims grows, Rubens must dive deep into the reality of this community. This process forces him to confront his own biases, fears, and internal conflicts while racing against a cruel and invisible enemy.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.