Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

Who runs the world? With the recent surge of women in politics, director Chloe Sosa-Sims's timely feature debut focuses on three political stars in three countries. For Jess Phillips of the UK, Pramila Jayapal of the US and Canada's Conservative MP Michelle Rempel Garner, politics is a deep and committed passion. Positioned on different points along the political spectrum, they take on their jobs in government with bold determination, advocating for their individual agendas. Phillips is focused on combating domestic violence, while Jayapal has set her sights on a new bill to expand American health care and Rempel Garner is looking for ways to create jobs for oil workers in her home province of Alberta. With elections looming in all three countries, the women are working hard on reforming patriarchal political institutions from the inside, and despite their differences they each fight to rise to the occasion.
Disney movies have taken a bit of a downward turn recently. How come?
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.