Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Hungry Ghost Ritual poster

Hungry Ghost Ritual 

After incurring debts from his failed business venture in China, Chung Wah returns to Hong Kong after a decade's hiatus. The demoralised Chung Wah faces problems finding a job and tries hard to get used to things at home, including his estranged relationship with his stepfather, who runs a Cantonese opera troupe, and half-sister, who is hostile towards Chung Wah as she always has the impression that the death of their mother was caused by the excessive fights between Chung Wah and his stepfather.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


After incurring debts from his failed business venture in China, Chung Wah returns to Hong Kong after a decade's hiatus. The demoralised Chung Wah faces problems finding a job and tries hard to get used to things at home, including his estranged relationship with his stepfather, who runs a Cantonese opera troupe, and half-sister, who is hostile towards Chung Wah as she always has the impression that the death of their mother was caused by the excessive fights between Chung Wah and his stepfather.

Rating:
Genre:Horror
Directed By:Nick Cheung Ka-Fai
Written By:Adrian Teh
In Theaters:
Box Office:

Runtime:82 minutes
Studio:Sundream Motion Pictures, Asia Tropical Films

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso