'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

An opera concert by the world-famous La Luce is canceled due to an ominous pandemic threat. The hotel rooms are fully booked and the flights are canceled. The only available accommodation is four hours away by car in Agadir: the Fritz Karlton. La Luce and her assistants are stuck there in a run-down, dirty hotel room. La Luce's politically incorrect and authoritarian behavior drives her employees mad. They plan the coup...
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.