A Bolshevik agitator is enticing workers into a violent rebellion in post-WWI Berlin, in order to create anarchy. He charms the wife of a factory director into helping him, but the forces of law and order are fighting back.
Joseph Delmont
Director
Eugen Klöpfer
Karenow, Anführer der Freiheitsbewegung
Paul Hartmann
Michael Klarenbach, Chemiker
Carl de Vogt
Winterstein, Karenows Mitarbeiter
Rosa Valetti
Clementine Plessner
Wirtin
Emil Lind
Leutenholz, Redakteur der roten Fackel
Hermann Bachmann
Direktor Turenius
Arthur Bergen
Franziskus Turenius, sein Sohn
Marion Illing
Camilla, Wintersteins Geliebte
Georg John
Fritz Breese
Wolfgang Heinz
Kulicke
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.