Employed with Paradigm Entertainment and assigned to work under Company President Ravi Agarwal by their employer, Wadhwa, two Mumbai-based rival colleagues, Rishi Malhotra and Karthik Iyer, who both had hoped to secure Ravi's position, travel to Goa to participate in a beauty pageant 'Miss Glamorama'. Both get attracted to a nervous contestant, Shabana Raza, and do try to outwit each other to assist her in gaining confidence - but the winner turns out to be a much taller, seasoned, and determined Rhea Dixit. Crestfallen at her loss, Shabana returns home but the duo follow her there, and are told that she likes both of them but her life and marriage is not under her control.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
