'Mulan' and 'Whale Rider': Director Niki Caro's take on Gender Inequality
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.

Hubert and Staller find the first body in the forest, the second practically falls into their laps. The trail leads to a retirement home, of all places. The old men finance their retirement by growing cannabis, and they have also been blackmailed, but that doesn't make them murderers. Or does it? Meanwhile, precinct manager Girwidz is hoping for a promotion: his old boss has announced his arrival. However, the police director is in Upper Bavaria for a completely different reason.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.