
Adapted from Zhang Yu's "The Appendix" and Chen Jun's "A Boring Story," the story revolves around Zhao Youliang, the mayor of a certain city, who holds significant power. However, his actions are constantly monitored closely by his secretary and wife, with the best intentions, making it difficult for him to act freely according to his own will, which distresses him. To implement the higher authorities' instructions for clean and honest governance, he begins to act alone frequently, wandering the streets and alleys like an ordinary citizen. He feels relaxed and enlightened, gaining insights he couldn't obtain from sitting in his office.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.