What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

In 1940 Claude Cahun and Marcel Moore, two lesbian and Jewish artists, move from Paris to Jersey island to escape the Nazi persecution. Threatened by the arrival of German troops on the island too, resist. Armed with a 8mm camera, they create an army of "nameless soldiers" who panic the Nazi machine. A film about love, passion for art and the resistance of two heroines who challenge totalitarianism with the power of the imagination; a work that supports the radical flair of its protagonists by resorting to divergent narrative and stylistic registers, juxtaposing the analog creaks of surrealist ascendancy with more "contemporary", muscular, punk-looking forms of subversion typical of genre cinema.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
This Disney Channel Original Movie shows how two different groups can coexist.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.