What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

After a run in with the Law, Aylin a 17yr old muslim Girl part of the Turkish diaspora in Germany finds herself sentenced to community service at an out of town horse stable. Beset by trouble at home and school, it is here that she, despite all odds is set on the road to self-discovery. As the pace quickens her blossoming relationship with the Stallion Hördur and her fledgling dreams are tested to breaking point. Can Aylin build a bridge between worlds? And if she can will others follow?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
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On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen