Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

1930s yuppie Pedro has a wife and two mistresses, but tragically learns the error of his ways.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.