'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Melvin Van Peebles was one of the first black directors to challenge the white establishment in his films, which include "Watermelon Man" and "Sweet Sweetback's Baadasssss Song." In this documentary, the life of Van Peebles is discussed, including his work not only in film, but also as a novelist, actor, musician, stock trader and even Air Force pilot. Interview subjects include Gil Scott-Heron, Spike Lee and Melvin's son and fellow filmmaker, Mario Van Peebles.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
'The Wiz' has the propensity for paying homage to black culture with R&B music, graffiti and jazzy elements that make it incredibly entertaining.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.