Despite her best intentions and hard work, a single mom with two sons just can't make ends meet and is forced to depend upon credit just to get by. Desperate, she can see only one solution left to save her family: stage a hold-up.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
