Fired from her job and evicted from her apartment, Martee (Regine Velasquez) brings herself and her asthmatic son to Zambales for a vacation. In a dilapidated resort, owned by Lance (Piolo Pascual), Martee finds work as a manager whose duties entails plans on how to increase the resort’s clientele. At first, Martee finds difficulty adjusting to the slower provincial lifestyle, but eventually she finds the laid-back pace more favorable.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
