Artist James moves to the UK in search of his ex-girlfriend and finds himself sharing a house with four incredibly attractive women. Can this hopeless romantic learn anything from his new housemates in order to find true love?
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
