The hot real estate business diary with three women is revealed! Hyeong-joon, a man who is still unemployed at almost middle age, is urged to work at a real estate company owned by his mother's friend, which himself looks down on in this field. In his first period of work, he immediately changes his opinion after seeing his boss's sexy wife, a company colleague who often teases him, and an innocent and adorable new employee. Now the exploration of the empty house with these hot girls begins!
Gyeong Seok-Ho
Director
Min Hyeok
Hyung-joon
Park Ha-yan
Mrs. Kim [Real Estate Manager]
Yeon Ji-ah
Director Shin
Lee Soo-jin
Eun-hee
Yang Geun-seok
Hwang Seong-gi
Kim Tae-hoon
Mr. Kim [Real Estate President]
Jeong Eun-sook
[Hyun-joon's Mother]
Lee Seung-hyeon
[Hyung-joon's Father]
Choi Doo-yeong
President Hwang
Yu Da-eun
[Friend 1]
Lee Eun-mi
[Friend 2]
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like