Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

A hybrid of DeSade and Dali, House of Pain is a nightmare that takes place between sleep and death, where the performers appear as mute hallucinations. The film features a hallucinogenic blend of the domestic and perverse.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
YouTube surpasses Netflix but there is more to the story.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?