Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Over the two and half years that he spent in the Casa de Santo Antonio in Lisbon, Philippe Costantini followed the arrivals and departures of very young mothers, from their pregnancy through to the first years with their child. At the centre of this small community of teenagers and their new-borns, the exclusively female staff see to it that the residents, whose family situations are chaotic, obey the rules. Keeping off-screen an often-mentioned violence, the film focuses on the daily lessons in mothering. What then emerges is everything that cannot be taught and which creates a fine dividing line between having a child and becoming a mother.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
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