Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.
Pedro Martins
Director
António Silva
Professor Hermes
Francisco Ribeiro
Gatuno /Robber
Henrique Santana
Chico Mota
Henrique Viana
Alvarinho
Eugénio Salvador
Faisca /Spark / Police
Carmen Mendes
Amelia / Hermes maid
Humberto Madeira
Neto / Police Officer
Rolando Alves
Procurador / Proxy
Irene Cruz
Necas
Maria Helena Matos
Tia / Aunt
Henrique Santos
Dr. Branco
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.