Pixar Showcases Their Actual First Gay Character in “OUT”
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.

Freely Inspired by the murders of the most infamous serial killer of Australia: Katherine Mary Knight Katherine Mary Knight (born 24 October 1955) is an Australian murderer and the first woman in the country's history to be sentenced to life imprisonment without the possibility of parole. She was convicted for the murder of her partner, John Charles Thomas Price, in February 2000, and is currently imprisoned at the Silverwater Women's Correctional Centre in New South Wales. Knight stabbed Price to death, skinned him, and then put his skin on a meat hook, which she had recently installed. She then cooked his head and parts of his body with the intention of feeding them to Price's adult children, but was stopped by police after an employee of his went to check on him after he had not been at work that day.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
Ralph and Vanellope unpack lots of surprises for those who love going on the Internet.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.