I Want to Spend 'Christmas With You'
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.

September 1987. In a shootout with police, Juan Jose Garfia makes a triple murder. Sentenced to more than one hundred years, is a rebel prisoner, clever and elusive that it has nothing to lose and nobody to worry about. In 1991, manages to escape from a police van jumping up. Stopped after two months of robberies and shootings, Garfia leads several prison riots, against which the authorities takes as a measure subjecting prisoners to a more contentious special isolation regime. Garfia, the prisoner with the highest IQ, avoiding drugs, which seems immune to punishment, and lives two years without seeing anyone, held in a tiny cell and subjected to continuous harassment. There he meets Marimar, a nurse I can barely speak, but between both of a current of mutual understanding.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
An action film led by two queens, fighting for what they believe in through power and pain.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.