“Where Fireflies Dance”
An indie production of a romantic drama with a country-western feel meant to explore lost love.

You, Frank Zimosa, are dead - brutally killed by the Mistandrian Cultists and trapped in the nightmarish Hotel Inferno: a special layer of Hell where demons co-exist with cultists, providing them dark, forbidden knowledge in exchange for endless pain and suffering. Alongside another tormented soul, trapped in the inferno since the Middle Ages, you must locate the five elements comprising the human soul - so that you may reclaim your physical form on Earth - before your body rots away. Do you have the strength to face the hordes of hell and take the first element - The Fire - from the hands of its powerful, ancient protector? There's only one way to find out.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.