“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Marina, once “burned” in matters of the heart, promises herself that she will never get married. And men will... only be “used.” She has a private hotel in the very center of St. Petersburg. With her exceptional beauty, Marina attracts many admirers to the hotel, without giving any of them the slightest hope of reciprocity. But one day, Konstantin Solomatin, a naval officer, captain of the first rank, and... an inveterate misogynist, stops at her hotel. He not only does not have loving feelings for our heroine, but also manages, in a fit of anger, to insult her by hinting that she leads the life of a kept woman. The wounded Marina decides to take revenge on the captain: to make him fall in love with her at all costs, and then make him suffer from unrequited love...
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.