The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Marina, once “burned” in matters of the heart, promises herself that she will never get married. And men will... only be “used.” She has a private hotel in the very center of St. Petersburg. With her exceptional beauty, Marina attracts many admirers to the hotel, without giving any of them the slightest hope of reciprocity. But one day, Konstantin Solomatin, a naval officer, captain of the first rank, and... an inveterate misogynist, stops at her hotel. He not only does not have loving feelings for our heroine, but also manages, in a fit of anger, to insult her by hinting that she leads the life of a kept woman. The wounded Marina decides to take revenge on the captain: to make him fall in love with her at all costs, and then make him suffer from unrequited love...
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.