Rallies and Musical Numbers: Hairspray Unpacks Racism in The 1960s
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.

The shouted teacher Dušička is not having the best time of his life. He is going through a crisis with his girlfriend who wants to own him. He has problems at school, forcing him to change the way he teaches. He worries about his neighbors, who impose middle-class principles on him. And to top it all off, he finds a live horse at his home for Christmas. The situation is all the more absurd because he lives in an apartment on the second floor of an apartment building. Dušička has no idea how the white man got to him, who he might be, and he has no idea how to get rid of him. But the presence of the circus clown becomes not only a source of bizarrely comical situations, but also a catalyst for his relationships. Dušička recognizes the true face of the people who surround him. Because in a heated situation, everyone loses their masks. He begins to understand that his environment forces him to make compromises that are against him.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
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