Two sisters, Silvia and Susanna, are divided by a deep conflict. Susanna, considered unstable but convinced of her own clarity, accuses Silvia of having an incestuous relationship with their father, shattering the family's balance. Her provocative and violent actions make her socially dangerous and force her to disappear. Meanwhile, her accusations contaminate everyone's relationships, leaving behind an ambiguous reality in which the truth appears painful and uncertain.
Giuseppe Ferlito
Director
Chiara Gori
Susanna
Vincenzo Puzziferri
Prof. Jacopo Fedi
Tosca Fusi
Silvia
Arian Gorvanchi
Leonardo
Massimiliano Nocco
Tommaso Gigli
Eugenio Venitucci
Figlio Tommaso Gigli
Sara Biotti
Figlia Tommaso Gigli
Chiara Innocenti
Moglie Prof. Fedi
Lorella Paris
Nonna Susanna e Silvia
Silvia Picchiani
Psicologa
Debora Poti
Anna Del Monte
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.