“Devil’s Mouth”
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.

After a flood, the Sea Charity Association sends Liu Hao Ming to a village to direct the burial of corpses. Hao Ming meets the singer Ruyun and her father there, and advises Ruyun not to sing a beautiful song, but to sing “The Beauty of Yu” instead, which Ruyun obeys to the full applause of the audience, but arouses the displeasure of a butcher, Sa-zuo, and others. When the flood comes again, the village people go to Shanghai to evacuate. Sa-zuo and the others ask Hao-ming for help, and Hao-ming leads them to an empty mansion to spend the night, where they run into Ruyun's father and learn that Ruyun has been separated. A female ghost haunts the house and they all escape from the house. Hao Ming does not see Ruyun's father and goes back to look for him, but he sees that the female ghost is Ruyun.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
WandaVision is already proving to be a huge success.