Horas a Solas 

For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.

'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.

Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.

Eddington attempts to capture how media is intertwined with the uncomfortable present.