Rebellious driver Andi and a restless zombie named Pina are driving through the city with a dark secret in the trunk. Their destination is HOPEPUNK, a queer zombie squat at the edge of town where they set a trap for a gang of nationalist taxi drivers that has spread its filthy tentacles across the dead-zone metropolitan highways, controlling the streets of Athens.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
This horror movie combines elements of horror and babysitting with Black representation.
