Indie Film "Where There is Love, There is No Darkness" Shines
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.

Yeon-gyu is a teenage boy who wants to escape his hometown where violence is commonly enacted among neighbors. He only hopes to have a peaceful life with his mother. However, the world never allows him to have a dream nor hope for life. When Yeon-gyu needs a hand from grown-ups, Chi-geon, a thug of the town, offers a favor. The simple favor leads Yeon-gyu to explore the world of Chi-geon. It ironically results Yeon-gyu gradually falling into Chi-geon's life. Grasping hope to run away from where he is, he struggles between the border. Can he escape from the town at the end?
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Looking back at the representation of different cultures in the magical world of Harry Potter
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.