Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

Yeon-gyu is a teenage boy who wants to escape his hometown where violence is commonly enacted among neighbors. He only hopes to have a peaceful life with his mother. However, the world never allows him to have a dream nor hope for life. When Yeon-gyu needs a hand from grown-ups, Chi-geon, a thug of the town, offers a favor. The simple favor leads Yeon-gyu to explore the world of Chi-geon. It ironically results Yeon-gyu gradually falling into Chi-geon's life. Grasping hope to run away from where he is, he struggles between the border. Can he escape from the town at the end?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.