Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

The story of A-Company 1/8 4th Infantry Division, US Army during the Vietnam War from 1965 to 1967. In the men's own words, through the stories they narrate, the film gives us insight into the time these men spent together and the bond they formed that remains unbroken to this day. The 4th Infantry Division is one of the only divisions that trained and retained its troops during the Vietnam War. The men of A-Company trained together for eleven months and served together for one year. Their story begins with basic training at Ft. Lewis Washington in 1965 and continues 40 years later at their last reunion in September 2007. Filming began September 27, 2007 in Houston, Texas during a reunion to honor First Sergeant David H. McNerney, who is the only living member of the 4th Infantry Division to receive the Congressional Medal of Honor. He was celebrated by the men he trained and served with and who's lives he saved on March 22, 1967.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.