
Ishimori Uka is very shy and has a hard time making friends. When she was a middle school student, students made fun of her by calling her "stone". Around that time, she met Miura Kai with lemon color hair. Because of him, she entered the same high school. Uka now wants to overcome her shyness and have friends. Kai is a popular student at the school, but he doesn't talk much or seem interested in others. He doesn't know why, but he becomes concerned with Uka. Uka has admired Kai, and she now has feelings for him. Kai has a secret, which no one knows.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?