
Paris, 1993. Selma, 17, lives in a bourgeois and secular Berber family. When she meets and is strongly attracted to Julien, a dashing young man, she realizes for the first time the heavy rules of her patriarchal family and how they affect her intimacy. As Islamism takes over her country of origin and her family crumbles, Selma discovers the power of her own desire. She must resist and fight. Through the strength of her people, she starts walking down the path of what it means to become a free woman.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.