No One Mourns the Wicked?
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.

After the cremation of his beloved dog, Savva is heartbroken. On his way home, he drops the box on a stenciled inscription on the pavement. Thinking that it is a sign from his dead friend, he calls the number on the inscription. Soon, a prostitute Anya appears on his doorstep. Anya deceives him and steals the box, thinking that it contains jewelry. Savva calls the number again and goes to the address. In the brothel, Savva finds the box, defeats his offenders, but now Anya is in danger. He saves her, she runs after him and asks for forgiveness. Villainous bullets overtake both - but Savva is saved by the box ... And Savva himself must save Anya.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
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In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.