
Jenny returns to her house in order to decide whether it should be sold. As she moves through the house, memories and traumas of the past begin manifesting themselves and deeply affect her as her past life begins materializing.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.