What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Thien Tam, a young but weak boy comes home after his treatment at the hospital to find that his cousin-sister, Hai Lam, has gone away from home. Tam decides to go look for her but then finds something horrible behind her missing.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.