Girls Will Be Girls In "Whale Rider"
People are so much deeper and far more extraordinary than what gender they were assigned at birth.

Masha Khametova goes on a summer trip in a camper van with her parents. Three years ago, mom and dad promised their daughter that they would spend more time together, and now a trip to nature is a family tradition. But Masha has grown up, and she is bored of spending so much time with her parents. The teenager's soul is yearning for new adventures, but the adults do not understand this at all. One of the stops on the family's route is a campsite. A bus that takes the teenagers to a summer camp also stops there. Masha meets one of the girls. By a lucky chance, her name is also Masha, and she does not want to go to camp at all. Without thinking twice, the girls switch places: Masha Khametova goes to camp, and the "other Masha" calmly returns home.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
A socially conscious film that draws attention to the plight of American military veterans.
For football fans, this sports movie will show viewers the bonding between father and son as the son prepares for his big game.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.