Max, Aaron and Glen have a track record littered with strike-outs and misfit hook-ups. The boys embark on a mission to up their hot babe batting average. They meet Hollywood Casanova Johnny Eyelash who teaches these boys the game of scoring A-list arm candy. But there is one problem, the girls are organized, cunning and have an agenda of their own. Its not long before the girls, led by Big Wendy and Little Wendy pick up on Johnny's tactics and Hollywood becomes one big booby trap.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Fire Island is Hulu's most recent romantic comedy and the latest spin on the Jane Austen classic, Pride and Prejudice.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
