Bros Being Bros: The Resurrection of the Rom-Com
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs

"Holland Road, located off NY Route 5 in between the town of Angola and Evangola State Park, is more frequently known as "Pigman Road" and it has been at the forefront of Western New York folklore for decades. Scores of high school students, ghost hunters, and area residents all have their own tales of headless spirits, photographic and audiotape abnormalities, and unusual activity emanating from this mile-long street. With an alluring mix of historical background regarding a train accident and urban legends about a pork-crazed serial killer, Pigman Road has become a rite of passage for anyone in the region wishing to access the world of the unknown." says Joran Zyglis and Jill Gregorie in their article "The Mystery of Pigman Road".
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.